{"id":2696,"date":"2025-06-25T11:17:12","date_gmt":"2025-06-25T03:17:12","guid":{"rendered":"https:\/\/dehuatang.tw\/?post_type=artist-profiles&p=2696"},"modified":"2025-07-14T17:50:11","modified_gmt":"2025-07-14T09:50:11","slug":"huang-binhong","status":"publish","type":"artist-profiles","link":"https:\/\/dehuatang.tw\/en\/artist-profiles\/huang-binhong\/","title":{"rendered":"Huang Binhong"},"content":{"rendered":"

1. Learning art in the early years: the nourishment of the home of Shuxiang and the first trip to Suzhou and Hangzhou<\/strong><\/p>\n\n\n\n

Huang Binhong has loved painting and calligraphy since he was a child. His family background and rich collection of books have created his deep love for literature and art. In 1887, he went to Yangzhou to work in the official office with the help of his friends. At the same time, he came into contact with a large number of ancient painting treasures and visited famous paintings and calligraphy of the Song and Yuan dynasties. During this period, his pen and ink were nourished and enriched.<\/p>\n\n\n\n

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2. The beginning of landscape and landscape: Master Song Yuan enters the Dharma and joins the West in the middle of the law<\/strong><\/p>\n\n\n\n

From the 1900s to the 1920s, Huang Binhong traveled successively to Suzhou, Hangzhou, Beijing and other places, absorbing the influence of painters such as Li Liufang, Cheng Sui, and Cheng Zhengkui, and combining the ancient methods of Song and Yuan dynasties with his own artistic intuition. He began to be known for the secret pen mountains and stones, \u201cseeking secrets but not seeking dredging\u201d and "cleansing the customs of the late Qing Dynasty."<\/p>\n\n\n\n

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3. Standing Education and Teaching: Academic Discussion on Painting and the Foundation of Education<\/strong><\/p>\n\n\n\n

From the 1920s to the 1940s, he taught at the Shanghai Museum, the Art School, Jinan University, the Art College and other institutions, went to Sichuan National Art College to train students, and founded painting clubs and colleges with Zheng Manqing, Xu Beihong, Zhang Daqian and others. In 1932, he entered Bashu to teach, promoted and reformed landscape painting education, and laid the foundation for the inheritance system of \u201cHuang's painting\u201d.<\/p>\n\n\n\n

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4. The transformation of ink painting: the blending of the secret pen realm and color and ink<\/strong><\/p>\n\n\n\n

Huang Binhong inherited the poetry of Song and Yuan Dynasties and the brushwork of the north and the south to create dense and Cangrun landscapes, often depicting the structure of mountain ranges with overlapping lines and shades, giving his works three-dimensional and spatial depth. He emphasized painting theory and appraisal, and his works "Honglu Painting Talk" and "Ancient Painting Micro" laid the academic foundation of landscape painting for future generations.<\/p>\n\n\n\n

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V. Representative works<\/strong><\/p>\n\n\n\n

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  1. "The Picture of the Rain"<\/strong> -Yun Chong's pen describes the mountains and rivers and Songtao after the rain, and the ink rhyme and cool atmosphere are deeply expressed.<\/li>\n\n\n\n
  2. "Lake and Mountain Clear Sky Map"<\/strong> \u2013The view of the pool and the distant mountains are blended, and the atmosphere is elegant and peaceful.<\/li>\n\n\n\n
  3. "Picture of Qixia in West Lake"<\/strong> \u2013Depicting the landscape of Hangzhou West Lake, the pen style is ancient, and the ink color is light and layered.<\/li>\n\n\n\n
  4. "Time and Labor Map"<\/strong> \u2013Emphasize the precipitation of years and the weight of history, and use ink and composition to show the precipitation of time.<\/li>\n<\/ol>\n\n\n\n
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    6. Late style: freedom of cracking and deep ink rhyme<\/strong><\/p>\n\n\n\n

    In his later years, Huang Binhong relaxed his cracking method more, and \u201cdense cracking variations\u201d could be seen everywhere in the mountains and rocks, with heavy ink and water vapor. He emphasizes \u201ccolor into the peak" and \u201csmooth washing", emphasizing the texture and charm of the picture.<\/p>\n\n\n\n

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    7. Teaching Inheritance: Tao Li Manmen<\/strong><\/p>\n\n\n\n

    In his teaching career of more than 50 years, he has cultivated a group of younger masters such as Li Keyan, Qian Songyuan, and Jia Tianjian. His teaching style emphasizes technique and spirit, \u201cwashing away the vulgarity without falling into the style of painting.\u201d<\/p>\n\n\n\n

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    8. Painting Theory and Writings<\/strong><\/p>\n\n\n\n

    His works include "Honglu Painting Talks", "Huangshan Painter Origin Examination", "Ancient Painting Micro", "Art Series", etc., ranging from landscape treatises to introduction to Chinese art history, not only provide a clear path for the study of painting, but also directly affect the education of Chinese painting.<\/p>\n\n\n\n

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    9. Glorious old age: founding an art museum and the position of the society<\/strong><\/p>\n\n\n\n

    After the establishment of New China, Huang Binhong served as the vice chairman of the East China Branch of the Chinese Artists Association and a professor of the East China Branch of the Central Academy of Fine Arts. His former residence was later converted into a Huang Binhong Memorial Hall, art Museum, and park to continue to spread the spirit of landscape painting.<\/p>\n\n\n\n

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    10. Artistic Influence and Contemporary significance<\/strong><\/p>\n\n\n\n

    Lu Shoukun commented: \u201cThe mountains and stones of Binhong revitalize the essence of Song painting and cleanse the vulgarity of the late Qing Dynasty.\u201d The younger generations such as Li Keyan and Qian Songyan were deeply influenced by him and promoted his style to a new era; Huang Binhong established his life with the secret pen giant realm, the reconstruction of ancient methods, and teaching, leaving a brilliant milestone for modern landscape painting.<\/p>\n\n\n\n

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    Conclusion and Invitation<\/strong>
    In Huang Binhong's life, he adhered to ancient methods and cultivated the consciousness of the times. He did not rely on techniques alone, but used the painting theory of "pen with mind and ink with character" to comprehensively reconstruct the cultural status of modern landscape. So far, every stroke of ink is still alive in the viewer's heart, awakening meditation on mountains, culture, and times.<\/p>\n\n\n\n

    Dehuatang sincerely invites the collection of Huang Binhong's classic masterpieces, paintings, calligraphy and manuscripts. We provide high-priced acquisition and professional appraisal services to protect national artistic treasures and share cultural events. Welcome to inquire.<\/p>\n\n\n\n

    Portfolio<\/h2>\n\n\n\n
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    Huang Binhong (1865-1955), known by his first name, the characters Pu Cun, Pu Ren, and the names Yuxiang, Honglu, and Hongsao, was born in Shexian County, Anhui Province. He was born in Jinhua, Zhejiang Province. He is one of the most influential masters of landscape painting in modern China. In the field of Chinese landscape painting, he created the "Huang Binhong Landscape", which covers the ten national painting veins and integrates Song and Yuan brushwork with realistic scenery. He is known as the "first-class master of modern landscape painting".<\/p>","protected":false},"featured_media":867,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"class_list":["post-2696","artist-profiles","type-artist-profiles","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/dehuatang.tw\/en\/wp-json\/wp\/v2\/artist-profiles\/2696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dehuatang.tw\/en\/wp-json\/wp\/v2\/artist-profiles"}],"about":[{"href":"https:\/\/dehuatang.tw\/en\/wp-json\/wp\/v2\/types\/artist-profiles"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dehuatang.tw\/en\/wp-json\/wp\/v2\/media\/867"}],"wp:attachment":[{"href":"https:\/\/dehuatang.tw\/en\/wp-json\/wp\/v2\/media?parent=2696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}